Podcast art by Rebeka Ryvola de Kremer w/ the drive-in photo from Boston Globe archives.Access-restricted-item true Addeddate 14:02:19 Boxid IA1771217 Camera Sony Alpha-A6300 (Control) Col_number COL-609 Collection_set printdisabled External-identifier Thank you Cosmo Sheldrake for use of his song Pelicans We. Writing mentioned by Alisa: Rebecca Solnit, Hope in the Dark Rebecca Solnit, A Paradise Built in Hell David Wallace-Wells, Uninhabitable Earth.Ĭonnect with us: Alisa: LinkedIn, & Rebeka: this website, you Samuel Cunningham for podcast editing. Some favorite artists: Cecilia Vicuña & Rebecca Solnit. See accompanying blog post here for annotated climate trailers, Alisa's HW, and the podcast transcript. Alisa talks about how stories help us connect, process, and learn and how we need our stories to reflect the realities of the world and the future we want to move towards. They have worked on the recent climate-focused Extrapolations, on Apple TV, and are focused on intersectional elements of climate stories, committed to showing how historically marginalized people are harmed “first and worst”. It points to a new vision of what society could become-one that is less authoritarian and fearful, more collaborative and local.
Alisa works at Good Energy, which supports TV and film creators in telling stories that honestly reflect the world we live in now-a world that’s in a climate crisis. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life.
According to research from Good Energy and The Media Impact Project that analyzed 37, 453 scripted television episodes and films released from 2016 through 2020, less than 3% acknowledge climate change. This episode explores how the film and TV industry is doing on climate messaging. For Episode 9 of The Heart Gallery Podcast, Rebeka Ryvola de Kremer talks to climate story consultant Alisa Petrosova.
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